Category Archives: Uncategorized

Another UK producer closes down- but proceeds to Backlash

Hi All,

I was sad to hear that Fred Gunn, who had not one but two of his films shown at the British Fetish Film Festival, has decided to close down his video sites. The final straw was ATVOD/OFCOM and the spectre of censorship- a vivid example of the chilling effect that censorship has above and beyond the actual damage to people they censor.

He has very kindly decided to run a closing down sale, with all proceeds going to Backlash, the organisation which is fighting for our sexual freedoms in the UK.

Find out more on his blog post here: https://umd.net/forums/could-you-all-help-save-britai and check out the sites:

http://www.messytease.com

http://www.burlesquetease.com

http://www.retropinuptease.com

Restrained Elegance is Fifteen Today!

I think there have been three major revolutions since I first launched Restrained Elegance back on 1st April 2001.

The digital camera revolution

From 35 mm slide film to Canon D30, D60, 5D, 7D, Hasselblad H3D, Sony A7RII. Panasonic camcorder to DVX100 to HVX200 to dSLR to RED, iPhone, GoPro, GH4 and A7RII. The capabilities of cameras today are like science fiction from 2000 when I first shot for the site. RE would not have been possible without: high quality, low cost, fast turnaround, and the ability to control the images as a one man band and still produce five updates a week. Fortunately there’s nothing but upside to this. You can buy a camera today for a pittance that will shoot images which were beyond the reach of professional photographers and cinematographers fifteen years ago. Enjoy it- make something for yourself! Go buy a bottom end digital camera or make a movie on your phone.

The Internet Revolution.

In 2001, the web was the wild west, and open and exciting frontier. Now it is a utility, an infrastructure as vital as electricity (and considerably more so than fixed-line telephones, which will be gone in a generation).

This transformation hasn’t been the unreserved good thing that the digital camera revolution has, but the promise of the internet is still there. The information available on a smart phone in your pocket wandering around town is STAGGERING.

We’re just not sure how to handle it as a species. How to balance the positive side of individuals and small communities getting their voice online with the fact that abhorrent people will do likewise to further their ghastly aims and objectives too. How much surveillance can we live with? How much control are we willing to outsource to multi-nationals? How much access should the state to have us, and all our personal data, communications and meta-data? There’s not an obvious right answer. I hope I am open-minded enough to accept that my own left-wing but very libertarian views may not be the best compromise for the human race- although I do note that every time human beings come out the other side of authoritarian regimes, they try to bake the rights of the individual against the state and the powerful into law. Which suggests we’d better watch it when the authoritarians suddenly get HUGE amounts of data and personal insight into all of us.

The Fundamentalist Fight-Back

The third revolution is most emphatically not a good thing. It’s the fight-back of the fundamentalists and traditionalists, especially when it comes to sexual matters. In 2001 when I launched Restrained Elegance it was a matter of quirky interest, at least in the liberal, middle-class, college-educated bubble I live in. Even the most reactionary right-wing press treated sexual matters as something of a joke back then. Right up until the point they decided to savage some poor public person for daring to have an ACTUAL sex life, rather than a Carry On Film slap and tickle, anyway.

Somehow, the Mary Whitehouse tendency got armed up and organised and pushed and pushed their agenda and used every scare tactic in the book until the whole idea of “sexual freedom of the individual” sounds a bit scary to modern ears. “Sexual freedom” oh doesn’t that mean
paedophiles and priests and celebrities and freaks and weirdos that AREN’T PEOPLE THEY ARE MONSTERS.

I profoundly hope that my analysis which follows will prove to be correct: I think the war is won. Generations have grown up with the internet and have seen EVERYTHING that has entered their heads to go looking. I doubt government will manage to put that genie back in the bottle, even if they go full Big Brother. My hope is that the kinky community are in the position now that the gay community were in back in the 1980’s. Under
attack from the conservatives, but an attack born of desperation, trying to turn back a tide that already turned.

Our niece is a film student. She knows what we do. She came to help out as an intern in her gap year. A few weeks ago she brought
her student film-maker team to make a mini-documentary about us. The film is excellent even though I say so myself (we hope to be able to
share it with you soon).

But the main thing I took away from the experience was how utterly unfazed a bunch of nineteen year olds were sitting in on a custom video shoot where I tied up Ariel and gagged her with a ball-gag over a pair of pantyhose over her head. How unfazed the removal men who moved us to our lovely weird house in Wales packing up the whips and chains and gags. How little the stocks on the landing bothered the alarm service guys who came to fix our burglar alarm last week. They find it funny, because it IS funny- a fun game we play. And that’s all. It isn’t a threat to our children or our pure Christian Aryan heritage.

There is a cultural war going on and victory isn’t certain. As Myles Jackman pointed out, one might say the same thing about the chemical generations. Most reasonably chilled out streetwise people from the sixties onwards know that not all illegal drugs are the same. The traditional mild forms of cannabis in particular may have some harm for vulnerable people but seem to be a damn site less harmful than other legal intoxicants, and have a clinically proven efficacy against some pretty shitty conditions. And yet the chemical generations have not managed to get it legalised. Indeed, the fear-and-flogging branch of our current government have already legislated to make everything with any sort of psycho-active effect illegal! (It’s being held up in implementation because even civil servants have figured out how hard to adjudicate that is). Woe betide the discoverer of the next coffee, or chocolate.

I didn’t mean this to turn into a self-pitying whine about censorship. But it is important that people like Restrained Elegance stand up and show that you can be into BDSM without being a freak, a weirdo, a danger, a criminal, a pervert. Kinky people are kinky, but still people the same as everyone else. Kinky teachers are not unfit to teach- any more than heterosexual married teachers or homosexual single teachers are unfit to teach.
The people who aren’t fit to teach are the ones who can’t distinguish right from wrong. Not the ones who like to tie up their partner for consensual fun every few weeks, any more than the ones who sometimes have a few too many glasses of wine with their partner every few months are unsuitable to ever stand in a classroom. You can be kinky and sane and safe.

I didn’t expect to have to fight this battle. I thought the internet and kinky websites and the growing acceptance of kink in society was a done deal. I’m a reluctant activist and I devoutly hope this will eventually go the hell away so we can just post kinky fun stuff.

More Changes

So those are the revolutions. Of course in fifteen years there have been innumerable small changes, less revolution, more evolution. I wondered what the main ones I could think of might be.

Inboxes

I went back to my emails from the early days of the site. In 2002 I had four inboxes worth thinking about- a day email job one, a Restrained Elegance email one, a personal email one. The fourth was not strictly speaking an inbox but served much the same function: a Yahoo groups/clubs account. A lot of the interesting fetish-related discussions had moved there from Usenet, and I used to check and reply to messages there regularly.

Total number of emails on the RE plus personal inboxes: about 10 a day. I can’t consult my particle physics inbox any more (the accounts have long since been deleted) but my memory was of a similar amount. Of order of ten messages a day, covering University business and research and all the communications I needed to be part of as part of the ATLAS collaboration at the LHC. Yahoo traffic was the same order of magnitude: maybe ten messages per day. I’d say there were of order of 30 messages which someone had typed and specifically intended me to read.

Most required a small amount of action on my part, but not more than a few minutes to read through the information and possibly quickly reply.

Today I have six genuine email inboxes, but Twitter and twitter direct messages effectively two more. Facebook ditto. Purpleport for models and shoot stuff. The RE forum. Comments on my blog. Yahoo groups have more or less died, but I follow various technical forums to keep up to date about stuff, and sometimes reply to, so they count as inboxes, too. Fetlife. Texts on my phone.

So the number of inboxes has proliferated.

Furthermore, the number of messages has increased. On a typical day I now get over a hundred messages of direct personal relevance to me.

I’m not counting likes/shares/ats/mentions here, just things a fellow human being has typed intending for me to read it. Most still require only a small amount of action on my part, but there’s an order of magnitude more of them than there used to be from the website emails, and more inboxes to check. I was shocked when I worked that out just now. No wonder I have to keep tweeting about being behind on my emails. I have at least triple, and by some measures ten times the load I had in 2001.

Always On

Related is the fact that because I can check my emails in the middle of the night if I wake up and need a pee, I do. In 2001 I had to switch on the computer, dial up, download the emails. I could then read them at leisure.

Now most of my inboxes would push notify me on my phone if I let them.

Ariel and I call it the cycle of doom. Twitter -> Facebook -> Email -> Fetlife -> PurplePort -> Texts -> Twitter -> repeat. It now takes a positive effort of will to create enough time offline to function.

At least people have got a bit used to delays in replying so I don’t get “hey you haven’t replied yet what are you doing you are a crook I am calling the FBI you bastard” emails quite so often now. (When I get them, it is invariably from an American who clearly doesn’t realise that if you email me at 3 o’clock in the morning UK time you will NOT get a reply within the hour).

But this is a big change in the admin load for running the website and having a life in the 21st Century. It is genuinely harder to make clear air time to think about stuff. I’m fifteen years older, of course, which won’t be helping. But it was only when I went and did a count of typical messages per day that I realised that objectively the load is a lot higher it was in the early days.

Video tape is history, DVDs are gone, Membership Sites may be next, and the rise of custom videos

When I started the site, the main way to get video content was still on video tape. Home-writable DVDs rose briefly but despite the better quality could never compete with the instant hit and uncensored nature of online video. Peter Ackworth flooded the web with free pictures to make his analysis that people will only pay for high-definition video and community into a self-fulfilling prophecy.

Print magazines are dead in the erotica industry and are heading that way in the rest of the media too. Television has lost its monopoly, file sharing and pirate sites mean that all content creators are struggling to maintain any sort of business model in the internet age.

It’s not all doom and gloom. Whilst membership sites no longer bring in the money they did, it is still possible to launch a new site with energy and enthusiasm and bring in enough money to make it a very cheerful business. I think the “pay a little for a lot” model is still very attractive- personally, I love paying a small amount to access a huge amount of creative work from some photographer or model’s back catalogue!

What clearly has set the world alight is personal or bespoke service online. You can’t pirate an interactive experience, which is why webcam is huge.

But if you’ve ever tried to google your fave storyline idea for a bondage movie, you’ll find that for all the low-quality pirated crap out there, it’s simply not true that you can find anything you like for free on the internet.

If you like barefoot satin-clad blondes in elegant ballgowns tied and tortured, and you want to see a specific storyline, you’ll probably have more luck at the Restrained Elegance archives. But if you want to see your fantasy properly brought to life in detail, you simply will not find it pre-existing online.

And that’s why custom video has got so big. We noted it a couple of years ago at Fetishcon- pretty much every US producer we spoke to said that custom videos now financed all their shoots. You book the models and locations you need for the custom, cover the direct costs from the shoot fee you charge. If you’re really efficient you might be able to slip in an extra set or two for yourself at the end of the day, and put those up along with the customs on your membership site. The fees people are willing to pay aren’t always enough to pay the producer directly, so you’re usually working for free, but you can generate your own pay from selling the videos afterwards.

Customs are often be REALLY fun to shoot. Challenging, because you don’t have access to the scriptwriter on set to clarify questions, and obviously most commissioning customers aren’t professional scriptwriters. So it can be a tricky reading-between-the-lines guessing game. Shooting customs is a privilege- we get to see inside someone’s head, to their fantasies. Which are often imaginative and fun, at least if you have customers as fab as ours.

The only downside is that it can dilute your own vision, turn you into a cameraman rather than a writer/director/cameraman. I really hope there’s still room for us to shoot our own vision, and that people will still be willing to pay for it. Maybe we need to crowd-fund some of our more ambitious projects to get them off the ground? It is so hard to turn down hard cash to make customs to have enough time to devote to writing our own scripts!

But hell, that’s a really NICE problem to have. Too many people wanting us to make elegant and imaginative films for them? Yes, I think we’ll take that!

The Future?

So what might the future have in store for Restrained Elegance?

We’ve certainly got some challenges. Censorship, changing spending patterns and administrative overload are just obstacles to overcome. The fact is that in fifteen years the site and you lovely people who follow it have given me the opportunity to bring out the pictures in my head for all to see, and have helped me find a gorgeous super-model wife and partner in kink, and a weird studio house in Wales as the cottage studio in our cottage industry.

The possibilities are endless! I’ve just bought an infrared spotlight and infrared full HD video camera, for next to nothing. We’ve got a dungeon which is closed off to external light. So the first big experiment in our sixteenth year is going to be to see what we can do with a genuinely sense-deprived Ariel in the dark.

We’ve got shoots booked in a fab urban apartment, a spacious and well-equipped dungeon, a uniquely lovely converted farm with sublime colour co-ordination, and an industrial/warehouse space. Those things tick off a few items from a list I never dreamed would have already had 4500+ ideas done and dusted on it.

We’ve got not just one or two but multiple long movie shoots coming up, funded by custom video sponsors which will make our Elegance Studios lineup much more active this year (and it is only the damn time pressure which has stopped me releasing a couple of ES films which are already mostly finished).

We’ve run a film festival and tutorials intend to do more. We’ve got several new people coming to help out on crew, broadening the RE crew family. Fifteen years ago I’d never have believed that the “crew” listing on RE would include fifty people, some of whom are friends and some of whom are even family.

I’ve not gone to volcanic islands or filmed a really long pirate extravaganza. Assuming the censors don’t totally screw us over, I really want to get back to Scandinavia soon and get some more of that amazing six hours a day of golden hour, fjords and mountains and trees and cool blue northern skies. I’d love to shoot more with Claudia from Falcieri designs. I’ve never really shot Steampunk bondage the way I’d like to. We’ve got mountains and lakes all around us now which we’ve only scratched the surface of as far as locations go. I’ve had a “business bitch” epic film in my head for ages which needs to be developed, and I’d really like to film a proper bondage romance, too.

With the huge sensitivity of modern digital cameras, there are lighting situations to be explored that you’d have had to be Hollywood to simulate fifteen years ago. Now we can just shoot them for real. I’m about to book a new round of shoots and there are some models I’m really excited to shoot for the first time- and I’m even more excited about spending a week on location with some of the muses who have inspired the site since the beginning. Ariel has so many dark and kinky fantasies to film that we’d need a staff of a hundred to even scratch the surface. There are future RE members we haven’t met yet who will inspire us and come with us on shoots, or drop us a line on the forum which sparks an idea which turns into some romantic bondage images we’d never have been able to imagine on our own… and which fifteen years ago we’d not have had the skill or resources to bring to life even if we’d had the vision.

It’s going to be a hell of a ride!

Hywel’s Custom Videos vs. Ariel’s Custom Videos

Hi Everyone!

If you’ve been following us on Twitter, you might have noticed that Ariel and I have both been having lots of fun making custom videos.

We realised that with both of us offering customs, people are probably confused about what the difference is, given that we’re married to each other and live in the same house and everything. Then we realised that even we were a bit confused, too!

Who should you book your custom through? Ariel or Hywel?

So here is a post which we hope will clarify.

Executive Summary

For simple videos starring Ariel recorded in one or two long rolling takes, get Ariel to shoot them via AskArielStudio.com.

For grander or more complicated films shot in cinematic style, contact Hywel via EleganceStudios.com.

The More Complicated Version

Hywel’s Customs

reh_20100608_1231243

CLICK HERE FOR DETAILS

Hywel shoots customs with the full apparatus of a RestrainedElegance.com shoot. That means using the RED digital cine camera which is capable of some absolutely awesome results (the same camera is used for Hollywood feature films shown at your local cinema).

Along with that goes stylish lighting, microphones on boom poles, and a very cinematic shooting style- lots of short takes, lots of camera angles, great closeups- very dramatic and stylish. It looks more like a film or a high-end TV drama than fetish videos you usually see on the web.

But this style is also slow to shoot, needs a fair bit of planning in advance and a lot of time in post-production to colour grade the RAW footage and edit the films together.

That means it is more expensive to shoot this way. It takes more people and more time. The results, as I hope you’ll agree, are stunning. But it takes time and therefore money to get there.

If necessary we’ll hire locations, hire other models, hire crew, buy specific bondage gear, or hire a van to take us all to the locations, and organise everything. We often shoot customs with models other than Ariel, too. On those days, Ariel’s usually doing the bondage rigging and Hywel is doing the camera work. Sometimes we have friends help out as extra crew too if the shoot is particularly demanding.

Hywel’s customs are designed for high-end productions for when you are after the very best quality bondage that anyone will make you on the web today. But they are not cheap.

Hywel can give you a break on the cost if the resulting film is suitable for him to put up on his websites. That means elegant, barefoot bondage (RestrainedElegance), bare foot fetish (SilkSoles), or long dramatic feature-length BDSM films like Pony Girl (Elegance Studios).

Hywel can shoot your film for you even if it doesn’t fit on one of the sites, but then he has to charge to cover his time, rather than making his money from selling the film afterwards. This adds even more to the costs and may stop it being a cost-effective option for you. But if you want the best quality that’s definitely the way to go.

If you want the best quality, especially if your custom video features elegant bondage, bare feet or a complicated story, Hywel is your best bet.

Ariel’s Customs

CLICK HERE for details at AskArielStudio.com.

Ariel shoots customs on a Panasonic bridge camera, with no boom mic, in whatever light happens to be around. She originally started shooting customs that she could film in her bedroom at home or in her hotel room when she is on tour.

She usually shoots them herself, which means that the style is more one-rolling-take with her talking to the camera rather than the very cinematic style which Hywel’s shoots use.

She also shoots bondage stuff (with Hywel stepping in to do the tying and the camera-work) or shoots with our kinky neighbour Zoe, but it is still shot by pointing her camera at the scene and hitting record.

This is a less labour-intensive and time-consuming style in which to shoot. So even where she does need to have other people involved to help out, the shoot can usually be done more quickly, with less pre-production planning and less post-production time as well.

As you’ll see from her Clips4Sale store, Ariel also sells the films afterwards sometimes.

But because her films are so much quicker to shoot, she can probably do you a better deal on a film which is more personal, too.

So if you want her to talk to camera as if talking to you, mentioning your name, or wearing a combination of clothes that wouldn’t sit well on Restrained Elegance, or stuff that Hywel’s sites just doesn’t cover… like Ariel dominating the camera, or pantyhose fetish, or brushing her hair… Ariel will be able to shoot it for you much more cheaply than Hywel.

If you want something more personal or specific which Ariel can shoot for you, and you don’t need the full cinematic treatment, Ariel is your best bet.

Don’t Know? Still Confused?

If you don’t know, you can always contact either one of us, describe your idea, and we’ll suggest which of us would be better to make it for you and how much it would cost 🙂

Cultural Appropriation

Why I will not be taking this photo down

reh_20150423_1306299

I posted this photo on Twitter, with accompanying text which read “New at http://SilkSoles.com this week: gorgeous @toychloe barefoot in the Oriental room!”

Someone replied that this was problematic, and identified two specific issues, assuming I have understood correctly. 1) Use of the word “Oriental” and 2) A white girl in a kimono as cultural appropriation. I was urged to do some research. So I have, and this is what I conclude thus far.

The Word “Oriental”

I apologise for the offence caused.

The Wikipedia entry for “Orient” mentions that the term “Oriental” is often considered an antiquated, pejorative, and disparaging term in North American English. I was not aware of this. I speak British English, being British; note that the Wikipedia entry makes no such mention for British English. The OED however notes that it is offensive when used of a person. I’m happy to update my use of language to avoid causing offence in future. I don’t much like being called “Taffy” or listening to the n-th joke about sheep shaggers, so it seems only reasonable.

In point of fact I was not using it of a person, but of an artistic style, orientalism, which pertains to a fashion in vogue at the time our Georgian house was built. I described the ROOM as “oriental”. There very likely was an “oriental” room in the house originally, and previous owners of the house have maintained something of that style of decor. I will henceforth call it something else, but will not be in a hurry to redecorate the room, because we like it, we might have to ask permission to do any such thing, and besides, it’s pretty.

A White Girl In A Kimono

Here I’m afraid I must disagree with my correspondent.

All people of all cultures have drawn inspiration and innovation from other cultures, throughout human history and indeed before. We are all human beings, and we should all be allowed to draw inspiration from cultures we were not born into.

White girls should be allowed to wear kimonos. Nigerian girls should be allowed to wear Ancient Greek Peplos. I have photographed Swedish, Romanian and Scottish girls wearing Cheongsams. I’ve photographed Italian people wearing historical Viking dress and English women wearing Togas. I’ve photographed Dutch men wearing dress traditionally considered appropriate for women; were they culturally appropriating the clothes of a traditionally oppressed minority? No, they were just doing something they enjoyed.

Should I have been offended at the cultural appropriation of English people wearing traditional Welsh dress at school Eisteddfods? Why should I? It’s not in any meaningful sense mine, even though I was born and raised in the country from whence the tradition originates.

I’m no moral authority, but I do have a silver rule to back up the golden rule. Replace all labels by the word “person” or “people” and see what I think of it then.

“Should a white girl be allowed to be photographed wearing a kimono?” becomes “Should a person be allowed to be photographed wearing a kimono?”. Yes they should. Anybody who wants to should be able to.

What is the alternative? Not shooting those photos with that model, I guess. Does that mean we should racially segregate the models who come to work with us? We’re planning to redecorate one room in our house (currently decorated with sailing ships and clouds) in the style of Norwegian folk art mixed with a bit of Jelling Style because I happen to like it and I want to try painting some things in that style myself.

Is it OK for me to do that because I have Scandinavian genes? (My father has an inherited condition which is associated with Viking genes, and one branch of the family name is of clear Nordic derivation). Or is the admixture of Celt such that I’m not allowed to use that for inspiration any more?

Once we have the Norwegian room, will it be OK to shoot the blue-eyed blonde British models there? What about shooting a model of Japanese ethnicity there, wearing traditional viking clothes with shoulder brooches? Polish models? Spanish models? Models whose family origins are from Iran? Russia? The Ukraine?

Saying that only models of a certain ethnicity or cultural origin are allowed to model in certain outfits or certain rooms in our house is unacceptable to me.

And let’s examine the Kimono in that photograph. It is a kimono in the following two senses (again, after Wikipedia). 1) It is a thing to wear, which is the literal meaning, and 2) It is similar in design to the traditional Japanese garment of that name.

It was designed and sewn by a British person based on a pattern designed by a European (inspired by that traditional Japenese style), from fabric made in India. That fabric is a synthetic one invented in Britain (or at least most likely descended from a material invented in Britain) but designed to look like a traditional Chinese fabric in texture and also with a design inspired by Chinese tradition.

There’s a long history of colonialism and bloody war between many of those civilisations.

The kimono itself, according to Wikipedia, was heavily influenced by traditional Han Chinese clothing. So should Japanese people even be allowed to wear them, since they are apparently culturally appropriated from China? What is the statute of limitations on how long ago a borrowing has to be before it becomes legitimate?

This is nonsense. Throughout history we’ve all begged, borrowed and stolen inspiration from each other, all the time and in all directions. We are all human beings. We should be allowed to. It is one of the most fertile sources of innovation we have.

So yes, I am good with 1977 London Punks appropriating Tartan, boys going to school in skirts, African Americans joining in the SCA and enjoying themselves pretending to be Medieval European nobility without the bad bits, Germans wearing Shalwar Kameez, Chinese people wearing dhotis, Jordians wearing saris, Japanese teenagers wearing jeans or suits, Swiss teenagers wearing muu’muu and British teenagers wearing fashions inspired by French and American designs from the 1950’s… and doing what the hell they like to them to give them their own personal twist.

Fusion cuisine is great. I’m happy for English people to make Bara Brith, Cawl or Welshcakes and put whatever twist they like onto it… and sell it in their recipe books. Again I have no more say or authority over who should get to adapt cawl recipes than any other human being on the planet, despite it being a historical staple of great importance to my oppressed culture. I have no more “right” to it than anyone else on the planet. It’s a thing, an invention of other human beings (who are all now dead, as it happens). It doesn’t have the rights and protections of person, and nor should it.

Consumption of food derived from agriculture should not be restricted to those from the either the fertile crescent or the area Iran where it was (likely) independently invented; once the idea spread, it belonged to all of us. One should be allowed to enjoy a Birmingham Balti or a sushi derived dish whatever one’s ethnicity. Welsh people should be allowed to eat pasta. It shouldn’t be restricted to Italians… or possibly Greeks.

More power to everyone’s creative elbow and have fun. And the same with fashion fusion, too. We will continue to put any model into any outfit in any room regardless of their ethnicity or cultural background, and tie them up in ways inspired by and derived from Western bondage traditions, Japanese bondage traditions, and any other thing we feel like trying.

(Incidentally, I am aware that research does not end with Wikipedia. But it is a good place to start.)

Blog/Forum issues

Hi All,

UPDATE: Should now be fixed, let me know if you have any problems.

We’ve had problems with the blog and forums for the last couple of days. Blog is back, but forum is down- we’re working on it, will be back as soon as we can. All to do with needing to update the underlying software and finding problems with some plug-ins.

Normal service will be resumed as soon as possible.

Cheers, Hywel.