Hooray!
A couple of days early, but what the hell it is Hallowe’en weekend and it was ready, so Haunted is now live!
Enjoy!
Hywel
Hooray!
A couple of days early, but what the hell it is Hallowe’en weekend and it was ready, so Haunted is now live!
Enjoy!
Hywel
The trailer for Haunted is now available from its movie page:
http://www.elegancestudios.com/page8/page20/index.html
Remember- the movie will be released on Hallowe’en!
Cheers, Hywel
Update… Steve, Ariel and I just had a viewing of the rough cuts of Haunted and Slave Auction.
Both are looking good, but Steve and I both ended up with two pages of notes for fine tuning, and Slave Auction needs finishing the rough cut as well. Steve’s got everything he needs to finish hopefully, so that should come along as soon as he has time, but I need to shoot a few inserts and record some more soundtrack stuff as well as editing the last few scenes of the films.
So we’re hoping to get the films out on a timescale of a month or so, but we’re definitely going to take the time to do it right so don’t hold us to that!
Cheers, Hywel
Shooting video on set at night requires light. In fact the lighting set-up is so critical, it probably took as much time to create accurately then actually shooting the content.
What our eyes see at night is quite different to what the camera picks up and conveying the correct feeling and atmosphere of a night scene is pretty tricky. It required a moon lit feel with sufficient light on the model to maintain visibility without looking fake.
Is this impossible to shoot? No, but it did require 2 important aspects to the solution. The first is using light weight, battery powered controllable LED lights. These can be placed virtually anywhere with no trailing power leads and full dimmer control. The second part is having the expertise and knowledge of Hywel on set to arrange them in such a way to create the correct feel. It’s a daunting task and taking sufficient time to really get it set-up properly is vital. Once you have them roughly in the correct place and pointing in the right direction, there are a lot of fine tweaks to make including colour correction, diffusion, camera set-up and monitoring the output on a large screen to check the final look. But if you can achieve all of this, the results are very impressive.
I’m about to edit these night time sequences, so hopefully I can do justice to all the hard work Hywel put in.